
Spike, noise, surge, swell, transients, harmonics and sag are not the names of members of a new alternative rock group; they are characteristic problems encountered in power management.
AC power is often the most
overlooked area in recording studio design. If you were a farmer and your
horse was your livelihood, you would probably pay attention to how well
he is doing. AC power is the main source of your income, and also the primary
cause of all the hums and buzzes you must deal with on a day-to-day basis.
They say that if you build a better mouse trap that they will beat a path
to your door. Well, just wait until you have the quietest studio in town
and see how fast everyone wants to work there.
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High-frequency noise can cause digital data errors in both digital audio and computer equipment, and can interfere with clock signals, causing timing errors and excessive jitter.
Voltage fluctuations effect
motor operation and electronic equipment that require a steady power source.
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The ratio of kW (active Power) to kVA (apparent power) is called the power factor.
Induction loads, such as induction motors used to power fans in air handling systems, may operate at less than their full rated load because of poor power factor.

Under these conditions the motor inductance causes the current to lag, or occur later in time than the applied voltage (Fig. 1). Some portion of the current is doing the actual work demanded of the motor, kW, while some is supporting the reactive, inductive load. This is known as kilovolt Amps Reactive, or kVAR(Fig. 2).

The ratio of the kW to kVA at the power line frequency of 50 or 60 Hz is known as Power Factor, or Displacement Power Factor (Fig. 3). The current is displaced in time from the voltage. This refers specifically to the phase shift, described as the cosine of the phase angle (phi). In these cases apparent power, kVA, can be larger than active power, kW. Due to this phase shift of the fundamental current. The current must be larger to produce the same active power. In this way kVA becomes larger because of this larger current.

Total Power Factor also includes
the effects of any phase difference between the fundamental voltage and
current. In many cases, when the distribution system is serving only single
phase receptacle loads, the phase difference at the fundamental is minimal.
DPF is near 1.0 and PF represents the contribution of harmonics to the
current. As the total harmonic distortion increases, the current waveform
changes to a pulse with higher peak current. The RMS current increase produces
a higher apparent power. The active power, or Watts, and displacement power
factor do not change since they are based only on fundamental voltage and
current. Total Power Factor decreases. More current must be carried by
the system to deliver the same amount of active power. The different responses
of DPF and PF can lead the way to the proper power factor correction methods.
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Capacitors installed to correct low power factor caused by induction motors can fail if harmonics are present. KVAR correction capacitors can form resonant circuits at frequencies above the fundamental. When combined with the inductive reactance of the distribution network this can cause premature motor failure due to excessive heat and random breaker tripping. This is normally not a problem if harmonics are not present. Harmonic currents produced by non-linear loads may find a resonance involving the kVAR capacitor. Resulting high current may cause the capacitors to fail.
To verify proper circuit
operation, measure the three phases for proper voltage and balance. Then
measure the three phase power and power factor. Notice the difference between
the DF and DPF readings. If the Total PF reading is lower than the DPF
reading, a portion of the load is probably non-linear. Examine the drive
current for harmonics, typically 5th and 7th. Adjustable speed drives are
a common source of 5th harmonic. The need for correction capacitors may
be reduced when adjustable speed drives are installed on existing motors.
Line reactors can be applied at drive inputs to reduce harmonic currents.
Or to avoid harmonic frequencies from resonating with correction capacitors,
filter networks can be designed to de-tune the resonant system.
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To detect harmonics at a load center, check the phase voltage for flat- topping (a condition where instead of a sine wave, the waveform becomes flat on top resembling digital clipping).Then measure the current in the feeder conductors using a true RMS instrument. Remember that these instruments indicate the actual heating value of the current, including harmonics. Verify that you are operating within the load rating of the panel. Measure the feeder neutral current. If it reads high, triplen harmonics (see below) may be present. Then compare the current with the ratings for the conductors, lugs, and buss bars. Compare the individual branch circuit currents to the breaker ratings. Check the branch neutrals for overloads due to triplen harmonics. The same process can be repeated at other load centers fed from the same source.
Once you are sure that a receptacle panel is effected by harmonics, there are a few options to correct the situation:

To prevent harmonics from
effecting a lighting load center, specify fewer conductors per conduit.
Or you can install new high performance ballasts which produce lower harmonic
currents and also improve Power Factor.
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The harmonic current drawn by non-linear loads acts in an Ohm's law relationship with the source impedance of the supplying transformer to produce voltage harmonics. The source impedance includes the supplying transformer and branch circuit components. For example, a 10 amp harmonic current being drawn from a source impedance of 0.1 Ohm will generate a harmonic voltage of 1.0 volt. Any load sharing this transformer or branch circuit can be affected by the voltage harmonics generated.
Computers used in console automation or hard-disk recording can crash or reset from excessive harmonic voltages in the supply power. Remember, the harmonics can come from devices anywhere on the same transformer or branch circuit.
Each harmonic has a name,
frequency and sequence. The sequence refers to the phase or rotation with
respect to the fundamental. In an induction motor, for instance, a positive
sequence harmonic would generate a magnetic field that rotated in the same
direction as the fundamental. A negative sequence harmonic would rotate
in the reverse direction.
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A simple way to determine the extent of harmonic distortion caused by a single-phase non-linear load would be to make two separate current measurements. Make the first measurement using an average responding current clamp or meter with clamp on probe. Make a second measurement of the same circuit using a true RMS current clamp meter. Divide the results of the first measurement by the second measurement. This will give you the A/R ratio. A ratio of 1.0 would indicate little or no harmonic distortion. A ratio of 0.5 would indicate substantial harmonic distortion. This test method works because an averaging meter will read a true sine wave correctly, as will the true RMS meter. If the waveform is distorted, the true RMS meter will read correctly, while the averaging meter will read up to 50% low, depending on the amount of distortion.
The above measurement method
is not a substitute for a harmonic analyzer, but it is a simple way to
determine if there is a need for more sophisticated equipment.
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All of the power-consuming devices in a studio are connected to unbalanced power (Fig. 7). There are two wires supplying the 120 V power, with the ground for safety (and noise). If you measure between the two feed wires the results will be 120 V. If you measure between ground and one of them you will see 120 V. If you measure between ground and the other lead, you will see zero V. Well, you are supposed to see zero, but because of ground noise and currents, you will measure a couple of volts. Just remember, with unbalanced power, all of the power generated garbage ends up in the ground.

If we take any of the noise
generating equipment and connect it to the balanced power source, the noise
generated in each leg of the power will be out of phase with each other
at the ground. The ground will be quiet as a clam. Balanced power provides
the same common mode rejection we are all familiar with in balanced audio.
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GROUNDING
Quiet grounding schemes in studios sometimes border on the occult. I asked one studio why they had a water cooler in the control room with no water in it. The said that for some reason, when the water cooler was plugged into the same branch circuit as the guitar amps, that there was less hum in the amps. I unplugged it once. They were right.
Grounding circuits were never meant to carry current except during a short circuit. Objectionable ground currents are those that will provide you with a shock. Anything less than that is OK as far as Underwriters Laboratories is concerned.
We have all experienced ground loops in the studio. The really bad ones, with hum levels above the signal level, we try to cure. The ever present little hums, that make the DAT meters stick one segment up from the bottom, we try to ignore. We try breaking grounds in balanced cables at one end so that we do not have multiple ground paths for ground loops. We lift chassis grounds with special plugs and make sure that metal chassis do not touch each other. If we removed the currents from the ground, then we would have no current to loop.
With balanced power, you
can use any type of grounding configuration you wish. Star, schmar. You
can leave the grounds connected at both ends of your audio cables. You
can throw away all of the ground lift adapters. You can finally plug everything
in the way it was meant to be plugged in.